exposition paris rome ath nes 2024

Exposition Paris Rome Ath nes

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RO30333219 1982 In4 Broché Bon état Coins frottés Dos plié Intérieur frais 436 pages Nombreuses photos et illustrations en noir et blanc et en couleurs in et hors texte Texte sur deux colonnes Classification Dewey 708Galeries musées collections dart

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Vitalsource Technologies Inc Grand Caf

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A digital copy of Grand Caf dAthnes by Chloé Monchalin Download is immediately available upon purchase

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Vitalsource Technologies Inc Les Gr

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A digital copy of Les Grces Athnes by Marina Loukaki Download is immediately available upon purchase

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EAN: 9783110634716

Brancusi Catalogue de L exposition

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Book is in UsedVeryGood condition Pages and cover are clean and intact Used items may not include supplementary materials such as CDs or access codes May show signs of minor shelf wear and contain very limited notes and highlighting 328

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Brancusi Catalogue de L exposition

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New Fast Shipping and good customer service

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Louis Cretey Un Visionnaire Entre

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Merci votre achat aide à financer des programmes de lutte contre lillettrisme

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Hybrid Modernities Architecture and

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How the 1931 Colonial Exposition in Paris blended the Western and Oriental cultures whose segregation it ostensibly demonstratedThe 1931 International Colonial Exposition in Paris was a demonstration of French colonial policy colonial architecture and urban planning and the scientific and philosophical theories that justified colonialism The Exposition displayed the people material culture raw materials manufactured goods and arts of the global colonial empires Yet the event gave a contradictory message of the colonies as the Orient the site of rampant sensuality decadence and irrationality and as the laboratory of Western rationality In Hybrid Modernities Patricia Morton shows how the Exposition failed to keep colonialisms two spheres separate instead creating hybrids of French and native culture At the Exposition French pavilions demonstrated Europes sophistication in art deco style while the colonial pavilions were authentic native environments for displaying indigenous peoples and artifacts from the colonies The authenticity of these pavilions exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas Intended to maintain a segregation of colonized and colonizer the colonial pavilions instead were mixtures of European and native architecture Anticolonial resistance erupted around the Exposition in the form of protests anticolonial tracts and a countercolonial exposition produced by the Surrealists Thus the Exposition occupied a middle region of experience where the norms rules and systems of French colonialism both emerged and broke down unsustainable because of their internal contradictions As Morton shows the effort to segregate France and her colonies failed both at the Colonial Exposition and in greater France because it was constantly undermined by the hybrids that modern colonialism itself produced

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Paris 1900 The American School

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In essays by Diane P Fischer Linda J Docherty Robert W Rydell Gabriel P Weisberg and Gail Stavitsky Paris 1900 examines the campaign sponsored by the US Department of State proving the existence of a distinct American school of art and refuting earlier French criticism that American art was primarily a reflection of French art At this exposition the McKinley administrations crusade emphasized paintings that exuded American character such as images of virile men wholesome women pristine landscapes and technologically superior cities Paintings by stillpowerful American expatriates were also included Exhibiting only native themes would have smacked of a provincialism inconsistent with the new outwardlooking agenda of American foreign policyBOOK JACKET Featuring more than 140 color and blackandwhite illustrations Paris 1900 is the companion volume to a major exhibition of over 80 paintings sculptures and decorative art objects at The Montclair Art Museum which will travel later to museums in Philadelphia Pennsylvania Columbus Ohio Madison Wisconsin and Paris France

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Grand Illusion The Third Reich

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FrancoGerman cultural exchange reached its height at the 1937 Paris Worlds Fair where the Third Reich worked to promote an illusion of friendship between the two countries Through the prism of this decisive event Grand Illusion examines the overlooked relationships among Nazi elites and French intellectuals Their interaction Karen Fiss argues profoundly influenced cultural production and normalized aspects of fascist ideology in 1930s France laying the groundwork for the countrys eventual collaboration with its German occupiers Tracing related developments across fine arts film architecture and mass pageantry Fiss illuminates the role of National Socialist propaganda in the French decision to ignore Hitlers war preparations and pursue an untenable policy of appeasement Frances receptiveness toward Nazi culture Fiss contends was rooted in its troubled identity and deepseated insecurities With their government in crisis French intellectuals from both the left and the right demanded a new national culture that could rival those of the totalitarian states By examining how this cultural exchange shifted toward political collaboration Grand Illusion casts new light on the power of art to influence history

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Alexander Calder 1898 1976 Catalogue

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Illustré de 147 photographies légendées en couleurs et noir et blanc sur papier couché Texte en français 224 p 1 kg 100 gr

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Hybrid Modernities Architecture and

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How the 1931 Colonial Exposition in Paris blended the Western and Oriental cultures whose segregation it ostensibly demonstratedThe 1931 International Colonial Exposition in Paris was a demonstration of French colonial policy colonial architecture and urban planning and the scientific and philosophical theories that justified colonialism The Exposition displayed the people material culture raw materials manufactured goods and arts of the global colonial empires Yet the event gave a contradictory message of the colonies as the Orient the site of rampant sensuality decadence and irrationality and as the laboratory of Western rationality In Hybrid Modernities Patricia Morton shows how the Exposition failed to keep colonialisms two spheres separate instead creating hybrids of French and native culture At the Exposition French pavilions demonstrated Europes sophistication in art deco style while the colonial pavilions were authentic native environments for displaying indigenous peoples and artifacts from the colonies The authenticity of these pavilions exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas Intended to maintain a segregation of colonized and colonizer the colonial pavilions instead were mixtures of European and native architecture Anticolonial resistance erupted around the Exposition in the form of protests anticolonial tracts and a countercolonial exposition produced by the Surrealists Thus the Exposition occupied a middle region of experience where the norms rules and systems of French colonialism both emerged and broke down unsustainable because of their internal contradictions As Morton shows the effort to segregate France and her colonies failed both at the Colonial Exposition and in greater France because it was constantly undermined by the hybrids that modern colonialism itself produced

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1889 Paris World s Fair

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Book is in NEW condition 183

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Les ateliers de Nicolas sta

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Occasion Etat Correct Livre de bibliothque tampons prsents Les ateliers de Nicolas de stal Exposition Paris 12 mars30 juin 2003 2003 Grand Format

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De Cezanne a Picasso Chefs

Explore tips, opinions, and features on De Cezanne a Picasso Chefs sold at 42.65 $ ; this product is listed in the Books & Magazines category, produced by , and sold by Abebooks.com.

4 Volume cartonné original de 347 2 pages illustrations richement colorées et monochromes un CDROM en contreplat intérieur Propre bon exemplaire OriginalPappband mit 347 2 Seiten reich farbig und einfarbig bebildert im hinteren Innendeckel eine CDROM Sauberes gutes Exemplar Bitte Portokosten außerhalb EU erfragen Please ask for postage costs outside EU S il vous plait demander des frais de port en dehors de l UE Genießen Sie den Sommer und bestellen Sie was zum Lesen KuAllg5

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1889 Paris World s Fair

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Book is in NEW condition 188

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Death at the Paris Exposition

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In the sixth Emily Cabot Mystery the intrepid amateur sleuths journey once again takes her to a worlds fairthe Paris Exposition of 1900 Chicago socialite Bertha Palmer has been named the only female U S commissioner to the Exposition and she enlists Emilys services as her social secretary Their visit to the House of Worth for the fitting of a couture gown is interrupted by the theft of Mrs Palmers famous pearl necklace Before that crime can be solved several young women meet untimely deaths and a member of the Palmers inner circle is accused of the crimes As Emily races to clear the family name she encounters jealous society ladies American heiresses seeking titled European husbands and more luscious gowns and priceless jewels Along the way she takes refuge from the tumult at the country estate of Impressionist painter Mary Cassatt In between her work and sleuthing she is able to share the Art Nouveau delights of the Exposition and the enduring pleasures of the City of Light with her husband and their young children

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La demeure m di vale

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293 pages illustrations en noir et en couleurs couverture illustrée en couleurs 245 x 280 x 20 cm French text original No inscriptions

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Expo les expositions qui ont

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Expedition Sous 48 H En Suivi La Poste Emballage Bullepack

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Corps sublimes Exposition Paris Mus

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280 S Umschlag leicht berieben sonst gutes Exemplar LOccident connaît de singuliers phénomènes de mode qui remettent en cause les stéréotypes concernant la beauté du corps Curieux paradoxe Et si les peintures corporelles les scarifications les déformations du crâne et les perforations des oreilles du nez et de la bouche pratiques perpétuées de génération en génération par de nombreux peuples africains assuraient un corps idéal Car ces interventions de même que les objets portés sur le corps de façon visible ou cachée bracelets colliers pendentifs et coiffes transforment les hommes et les femmes à chaque étape de leur vie et constituent les signes de leur identité personnelle et sociale Pour compléter lanalyse cet ouvrage sappuie sur les témoignages que nous apporte la sculpture traditionnelle statuettes scarifiées ou portant des ornements et parures quelles soient taillées dans le bois livoire ou bien réalisées en or ou en bronze Toutes ces uvres contribuent à mettre en relief les désirs et les enjeux qui justifient les apparences ISBN 290606727x Sprache Deutsch Gewicht in Gramm 550 Mit zahlr auch farb Abb Gebundene Ausgabe mit Schutzumschlag

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Annees 30 En Europe Le

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Exposition du 20 février au 25 mai 1997 Musée dart Moderne de la Ville de Paris Prefazione di Suzanne Pagé Testi di Michel Winock Eric Michaud José Vovelle et al Con 339 illustrazioni a colori e 625 in nero opere di Ernst Derain Matisse Kobro Hoerle Scipione De Chirico Carrà Dalì Mirò Tanguy Brauner Matta Evans Cahun Wols Mondrian Giacometti Hepworth Gabo MoholyNagy Villon Baumeister Fontana Schwitters Kandinsky Moore et al 4to pp 572 Rilegato hardback Ottimo Fine

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