eva hesse oberlin drawings hardcover 2024

Eva Hesse Oberlin Drawings Hardcover

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This monumental tome contains the entirety of the important German artists drawings held in the collection of the Allen Memorial Art Museum Oberlin College Ohio The AMAM was the first museum to purchase a sculpture by Hesse Laocoon in 1970 In gratitude for its recognition of Hesses work and following the artists untimely death her sister Helen Hesse Charash generously donated the artists notebooks diaries sketchbooks photographs and letters to the museum Hesses drawings played a crucial role in her work which in turn gave way to an array of highly innovative techniques and styles that today still defy classification As she commented in 1970 I had a great deal of difficulty with painting but never with drawing the translation or transference to a large scale and in painting was always tedious So I started working in relief and with line Hesses custom of introducing sculptural materials into drawing and painting continues to influence artmaking todayEva Hesse 193670 was one of the foremost artists of the 20th century Her work combined the seriality and reductionism of 1960s minimalism with emotion sensuousness and physicality Her work is in the collections of the Museum of Modern Art Tate Guggenheim and many others

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Eva Hesse Oberlin Drawings

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This monumental tome contains the entirety of the important German artists drawings held in the collection of the Allen Memorial Art Museum Oberlin College Ohio The AMAM was the first museum to purchase a sculpture by Hesse Laocoon in 1970 In gratitude for its recognition of Hesses work and following the artists untimely death her sister Helen Hesse Charash generously donated the artists notebooks diaries sketchbooks photographs and letters to the museum Hesses drawings played a crucial role in her work which in turn gave way to an array of highly innovative techniques and styles that today still defy classification As she commented in 1970 I had a great deal of difficulty with painting but never with drawing the translation or transference to a large scale and in painting was always tedious So I started working in relief and with line Hesses custom of introducing sculptural materials into drawing and painting continues to influence artmaking todayEva Hesse 193670 was one of the foremost artists of the 20th century Her work combined the seriality and reductionism of 1960s minimalism with emotion sensuousness and physicality Her work is in the collections of the Museum of Modern Art Tate Guggenheim and many others

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Eva Hesse Drawing

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Eva Hesse 19361970 was a highly experimental artist who continually challenged the conventions of her time For Hesse drawing played a unique role providing the nexus between her works in all media Eva Hesse Drawing is the first book to explore her drawing process following her work from drawing to painting and sculpture and always back to drawing The book features important recently rediscovered working drawings providing an intimate look at Hesses everyday practice and methodologynbspnbspAn accomplished draftswoman Hesse began to develop her wandering tentative line while studying at Yale University in the late 1950s Her early 1960s works on paper engaged with visual vocabularies from geometry to biomorphic abstraction In 1965 Hesse combined her tactile sensibility for materials with her stringlike line to achieve a breakthrough her astonishing reliefs which began to bridge the space between two and three dimensions Balancing the disembodiment of line with its intensified materialization Hesse went on to develop one of the most innovative oeuvres of the twentieth century anticipating the hybridization of media and crossing borderlines linking one impossible space to another

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Eva Hesse Drawing

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Eva Hesse 19361970 was a highly experimental artist who continually challenged the conventions of her time For Hesse drawing played a unique role providing the nexus between her works in all media Eva Hesse Drawing is the first book to explore her drawing process following her work from drawing to painting and sculpture and always back to drawing The book features important recently rediscovered working drawings providing an intimate look at Hesses everyday practice and methodologynbspnbspAn accomplished draftswoman Hesse began to develop her wandering tentative line while studying at Yale University in the late 1950s Her early 1960s works on paper engaged with visual vocabularies from geometry to biomorphic abstraction In 1965 Hesse combined her tactile sensibility for materials with her stringlike line to achieve a breakthrough her astonishing reliefs which began to bridge the space between two and three dimensions Balancing the disembodiment of line with its intensified materialization Hesse went on to develop one of the most innovative oeuvres of the twentieth century anticipating the hybridization of media and crossing borderlines linking one impossible space to another

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Eva Hesse Drawing in Space

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Published by Ulmer Museum and Westfälisches Landesmuseum Münster 190 pages essays in German and English by Brigitte Reinhardt Naomi Specter Erich Franz Hanne Lorek and a conversation by Mel Bochner with Joan Simon about Eva Hesse Copy without stains or marks binding intact corner slightly bent

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Eva Hesse and Hannah Wilke

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Hardcover This exhibition and accompanying book offers the first opportunity to appreciate the resonances between the studio practices of Eva Hesse and Hannah Wilke Growing up in Jewish emigre homes both artists found themselves drawn to unconventional materials such as latex plastics erasers and laundry lint which they used to make work that was viscerally related to the body They shared an interest in repetition to amplify the absurdity of their work These repeated formswhether Hesses spiraling breast or Wilkes labial foldsought to confront the phallocentricism of twentiethcentury sculpture with a texture that might capture a more intimate psychologically charged experience Eleanor Nairne the curator of the exhibition writes the lead essay followed by texts by Jo Applin and Anne Wagner An extensive chronology by Amy Tobin includes primarysource materials which bring a new history of how both artists work sits in relation to the wider New York scene Also included are excerpts of both artists writing An indepth look at these two American artists who explored issues of sexuality and feminism in the 1960s and 1970s in their sculpture and photography Shipping may be from multiple locations in the US or from the UK depending on stock availability

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Eva Hesse Sculpture Organized by

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The work of Eva Hesse 1936 1970 one of the greatest American artists of the 1960s continues to inspire and to endure in large part because of its deeply emotional and evocative qualities Her latex and fiberglass sculptures in particular have a resonance that transcends the boundaries of minimalist art in which she had her roots Hesses breakthrough solo exhibition Chain Polymers at the Fischbach Gallery in New York in 1968 was a turning point in postwar American artEva Hesse Sculpture focuses on the artists largescale sculptures in latex and fiberglass and provides a rare opportunity to look at Hesses artistic achievement within the historical context of her life in neverbeforeseen family diaries and photographs Essays consider Hesses art from a variety of angles Elisabeth Sussman discusses the sculptures shown in the 1968 solo exhibition Fred Wasserman delves into the Hesse familys life in Nazi Germany and in the German Jewish community in New York in the 1940s YveAlain Bois examines Hesses works within the context of the art and aesthetic theories of the 1960s and Mark Godfrey analyzes the importance of Hesses celebrated hanging sculptures of 1969 70 In addition to color reproductions of the artists sculpture the book features a copiously illustrated chronology of the artists life

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Eva Hesse Sculpture

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Eva Hesse Exhibitions 1972 2022

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Eva Hesse Spectres 1960

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A new examination of a fascinating group of paintings from a pioneering midcentury artist In 1960 Eva Hesse 19361970 created an unusual group of oil paintings that when considered in contrast to her sculptural assemblages from 1965 to 1970 foretell her desire to embody emotional states in abstract form Contrary to existing scholarship which suggests that these works represent a form of selfdeprecation this book seeks to consider these spectre paintings as manifestations of a private haunted interiority in the context of the artists burgeoning maturityThe paintings in the spectre campaign comprise two distinct categories The first a selection of smallscale oil on Masonite paintings depictsnbsptwo or three loosely rendered figures positioned in vacant pictorial spaces These gaunt forms portray an apparent disconnection between one body and another and yet the pictorial drama of the works would be incomplete without the presence of each figure The second group of paintings imbues a more perplexing psychological state as characters alternately take on the forms of alienlike creatures or as close resemblances to the artist herself Through an enlightening assessment of these underappreciated works readers will gain new insight into their pivotal role in Hesses oeuvre

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Irrational Judgments Eva Hesse Sol

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An intimate study of the friendship and creative dialogue between two artists offering an indepth understanding of their work and the upheavals of 1960s New YorkIrrational Judgments examines the close friendship and significant exchange of ideas between Eva Hesse 19361970 and Sol LeWitt 19282007 in New York City during the 1960s Taking its title from LeWitts statement Irrational judgments lead to new experience this book examines the breakthroughs of the artists intertwined careers offering a new understanding of minimal postminimal and conceptual art amid the eras political and social upheavals nbsp Kirsten Swenson offers the first indepth discussion of the early critical developments of each artist LeWitts turn from commercial design to fine art and Hesses move from expressionist painting to reliefs and sculpture Bringing together a wealth of documents interviews and imagesmany published here for the first timethis handsome publication presents an insightful account of the artists influence on and support for each others pursuit of an experimental practice Swensons analysis expands our understanding of the artists ideas the importance of their work and more broadly the relationship of the 1960s New York art world to gender politics the Vietnam War and the city itself

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Eva Hesse Sculpture

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Former library book may include library markings Used book that is in clean average condition without any missing pages

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Eva Hesse Sculpture

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Eva Hesse

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Inigualable éste es el mejor libro posible sobre arte moderno y sobre una de las pocas artistas modernas verdaderamente importantes El texto de Lippard es un modelo de escritura agudamente analítica cuya lectura se vuelve compulsiva Las obras extraordinariamente poderosas de Eva Hesse reciben aquí el mismo espacio que las complejidades de su profundo pensamiento estético filosófico y psicológico

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Eva Hesse 1965 first edition

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In 1964 the industrialist Friedrich Arnhard Scheidt invited Eva Hesse 19361970 and her husband Tom Doyle to a residency in Kettwig an der Ruhr Germany The following fifteen months marked a significant transformation in Hesses practice The artists studio space was located in an abandoned textile factory that contained machine parts tools and materials that served as inspiration for her complex linear mechanical drawings and paintings In 1965 Hesse expanded on this theme and began using objects found in the factory and papiermâché to produce a series of fourteen vibrantly colored reliefs that venture into threedimensional space with such materials as wood metal and cord protruding from the picture planeWith dynamic new scholarship and previously unpublished illustrations Eva Hesse 1965 highlights key drawings paintings and reliefs from this pivotal time and demonstrates how the artist was able to rethink her approach to color materials and dimensional space and begin moving toward sculpture preparing herself for the momentous strides that she would take upon her return to New York

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Encountering Eva Hesse

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Encountering Eva Hesse presents new writing on the work of Eva Hesse 193670 by international artists curators and art historians who examine the varied framings of exhibition studio and writing for their encounters with these still challenging works of art

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Hessian Tapestry Hesse Family and

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Eva Hesse Datebooks 1964 65

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Sunday June 21 1964 Studio To date have again done mainly drawings Coming along Sometimes I feel theyre good often I get discouraged Staying at studio gets a little easier more pleasant I usually take break come home Tom staysEva HesseIn 196465 Eva Hesse lived with her husband sculptor Tom Doyle in KettwigontheRuhr Germany at the invitation of a European art collector During this time as she did throughout most of her life Hesse kept diaries and made extensive notations in datebook calendars These two datebooks published for the first time as facsimile editions are accompanied by a third volume that includes an essay on their significance in the artists career as well as full transcriptions and annotationsnbspThe 196465 datebooks impart astonishingly rich personal details about the artists life whom she met and where she traveled which books she read and which films and exhibitions she saw and what impression they made on her Hesses notations also reveal invaluable insights into the German art scene of the mid1960s her transition fromnbspa painter to a sculptor andnbspher often conflicted artistic ambitions the stresses of her marriage and the difficulties of returning to Germanynbspthe country that in 1938 she fled with her family to escape Nazi persecution

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Eva Hesse Studiowork

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Exhibition catalog Argues that Eva Hesses 19361970 studioworks force us to ask fundamental questions not just about what an artwork is but about the work that art does in our culture 240p 200 color illustrations Measures 825x975 inches

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Eva Hesse Catalogue Raisonne Vol

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The first two volumes of a highly anticipated fourvolume catalogue raisonné of all known works by Eva Hesse The work of Eva Hesse 19361970 has been the focus of growing attention over the past few decades With recent major exhibitions in San Francisco London and Wiesbaden Hesses tremendous contribution to the art world of the 1960s and 70s is now recognized by scholars and the general public alike These two lavishly produced volumes are the first in a major new publishing initiative a fourvolume catalogue raisonné of Hesses known artwork in all media painting sculpture and works on paper During her career Hesse created 135 paintings and 176 sculptures objects and test pieces As her paintings are less well known than her sculptures Volume I will be a revelation to many Revealed here are 28 previously unknown paintings including works that date from her time as an art student at Yale University Hesses sculpture is more widely known but is presented here anew with many recently commissioned photographs and fascinating archival imagesnbspTwentyone previously unknown sculptures are presented in Volume II including two painted wooden boxes presumably made in New York in 1964 in which the first signs of Hesses shift from painting to sculpture occurred and numerous previously unknown test pieces

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