studies medieval and renaissance 2024

Studies in Medieval and Renaissance

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Manfred F Bukofzer was born in Germany in 1910 He studied at the Conservatory in Frankfurt and also at the University of Heidelberg Berlin and Basel obtaining his doctorate in music in 1936 He came to America in 1939 and shortly after joined the faculty of the University of California at Berkeley where he became head of the Music Department only a year before his death from leukemia in 1955Although Dr Bukofzers main field of study was medieval and Renaissance music he made important contributions in other areas too such as a monograph on Javanese music and an edition of the complete works of John Dunstable His Music in the Baroque Era Norton 1947 is the standard work on that periodThe studies in the present volume mainly deal with fifteenthcentury music exploring many compositions whose historical and musical importance have not hitherto been fully understood Some of the papers treat early English music others discuss various aspects of Renaissance music the emergence of choral polyphony dance music and the problem of the cyclic Mass Dr Bukofzers scholarly research has enlarged both our understanding of an pleasure in this music and reveals it as an expression of the very same creative spirit that produced the great cathedrals paintings and sculptures of the period Gustave Reese has called these studies a major contribution by one of the greatest authorities on medieval and Renaissance music

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Studies in Medieval and Renaissance

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Formerly published by AMS Press Studies in Medieval and Renaissance History continues with an annual volume now published by ACMRS

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Studies in Medieval Renaissance Literature

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This entertaining and learned volume contains book reviews lectures and hard to find articles from the late C S Lewis whose constant aim was to show the twentieth century reader how to read and how to understand old books and manuscripts

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Studies in Medieval and Renaissance

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Formerly published by AMS Press Studies in Medieval and Renaissance History continues with an annual volume now published by ACMRS

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Studies in Medieval and Renaissance

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This entertaining and learned volume contains book reviews lectures and hard to find articles from the late C S Lewis whose constant aim was to show the twentieth century reader how to read and how to understand old books and manuscripts

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Studies in Medieval and Renaissance

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This entertaining and learned volume contains book reviews lectures and hard to find articles from the late C S Lewis whose constant aim was to show the twentieth century reader how to read and how to understand old books and manuscripts

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Vitalsource Technologies Inc New Studies

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A digital copy of New Studies In Medieval And Renaissance Gdask Poland And Prussia by Moejko Download is immediately available upon purchase

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Medievalia et Humanistica Studies in

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Clogan is professor of english at the University of North Texas and a Fellow of the American Academy in Rome

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Medievalia et Humanistic Studies in

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Since its founding in 1943 Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies Since 1970 a new series sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics has published interdisciplinary articles In yearly hardcover volumes the new series publishes significant scholarship criticism and reviews treating all facets of medieval and Renaissance culture history art literature music science law economics and philosophy

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Studies in Late Medieval and

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In shrink wrap Looks like an interesting title

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Medievalia et Humanistica No 40

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Since its founding in 1943 Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies Since 1970 a new series sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics has published interdisciplinary articles In yearly hardcover volumes the new series publishes significant scholarship criticism and reviews treating all facets of medieval and Renaissance culture history art literature music science law economics and philosophyVolume 40 showcases the interdisciplinary nature of the series with five articles on topics such as the image of Jews in Christian medieval literature Trojan legends in Dante and thirteenthcentury French love poetry Volume 40 also includes eight review notices that illustrate the volumes interdisciplinary scope

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Medievalia et Humanistica No 33

Discover information, advice, and prices for Medievalia et Humanistica No 33, priced at 86.98 $ : it belongs to the Books & Magazines category; this product is sold by Abebooks.com and made by .

Since its founding in 1943 Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies Since 1970 a new series sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics has published interdisciplinary articles In yearly hardcover volumes the new series publishes significant scholarship criticism and reviews treating all facets of medieval and Renaissance culture history art literature music science law economics and philosophy

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Manuscripts of the Latin Classics

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This book brings together six expert contributors to examine the production and use of medieval manuscripts containing classical Latin texts The contributors consider everything from the physical qualities of the manuscripts to what we can learn about how their readers used and interacted with them ultimately they also make a case for the value of studying not just specific classical manuscripts but distinct groups of them showing how such a collective approach can add to our understanding of how they functioned in medieval society

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Manuscripts of the Latin Classics

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This book brings together six expert contributors to examine the production and use of medieval manuscripts containing classical Latin texts The contributors consider everything from the physical qualities of the manuscripts to what we can learn about how their readers used and interacted with them ultimately they also make a case for the value of studying not just specific classical manuscripts but distinct groups of them showing how such a collective approach can add to our understanding of how they functioned in medieval society

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Crist bal de Morales Sources

Discover information, advice, and prices for Crist bal de Morales Sources, priced at 499.68 $ : it belongs to the Books & Magazines category; this product is sold by Abebooks.com and made by .

Cristóbal de Morales was the most famous Spanish composer of the mid sixteenth century His music was known internationally during his lifetime He was eulogized by contemporary writers and his fame and influence remained significant in the seventeenth century sixty years after his death he was still regarded as one of the finest composers of sacred polyphony His repertory includes over twenty Masses and a very large number of motets and works in other sacred genres This wideranging volume examines numerous aspects of the composers works and the Spanish and other contexts within which they were composed and received Topics covered include sources newly uncovered works and issues of authorship musical traditions in Spain and elsewhere the transmission and reception of Moraless music in Spain Northern Europe and the New World patterns of influence and emulation involving Morales and other composers and modern perceptions of Morales and his music The book also provides the first comprehensive published list of the composers works and their sources OWEN REES is Reader in the Faculty of Music at the University of Oxford BERNADETTE NELSON is affiliated to Wolfson College at the University of Oxford Contributors CRISTLE COLLINS JUDD MARTIN HAM TESS KNIGHTON KENNETH KREITNER ALISON SANDERS MCFARLAND MICHAEL NOONE BERNADETTE NELSON OWEN REES STEPHEN RICE EMILIO ROSFABREGAS GRAEME SKINNER ROBERT STEVENSON CRISTINA URCHEGUIA GRAYSON WAGSTAFF

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Renaissance Invention and the Haunted

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This book examines how and why a vast range of fifteenth and early sixteenthcentury European images of Christs infancy allude either to his death or to the devil and sometimes to bothRenaissance Invention and the Haunted Infancy examines how and why a vast range of fifteenth and early sixteenthcentury European images of Christs infancy allude either to his death or to the devil and sometimes to both Written as an essay on interpretation the book addresses the bottomless ingenuity with which artists worked to embody two central yet ultimately elusive ideas the sacrifice for which the Incarnation was necessary and evil poised to thwart the scheme of salvation Because both are nominally nonexistent or suppressed in the moment pictureda death not yet present for the Infant and a menace resisted by his comingthey convey absence or imminence in ways rarely attempted in earlier art Although both kinds of allusion became pervasive in painting prints and sculpture and are widely familiar to modern observers neither has ever been systematically addressed in art historical scholarship With this gap as a core question the study seeks answers among unmapped distances between Renaissance and modern approaches to meaning in religious images Framed by an opening chapter that examines changing conceptions of subject matter and a concluding one that seeks to account for Renaissance fascination with these themes the heart of the study is given to close scrutiny of an unusual variety of images by such central figures as Bosch Botticelli Bruegel Campin Donatello Gossaert Michelangelo and van der Weyden among many others and the means by which they engineer representation to guide singular kinds of thought New perspectives emerge not only on certain core dynamics of meaning but also on elementally related aims of a host of major works from the period

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Books of Hours Reconsidered Studies

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This collection of essays provides essential studies on the production use and evolution of the Books of Hours For over three hundred years more Books of Hours were made than any other type of book even the Bible From c 1225 when the first Books of Hours began to appear to 1571 when during the CounterReformation Pope Pius V prohibited the use of all existing Books of Hours nearly every European family of a certain means owned a Book of Hours Books of Hours Reconsidered present recent research on this medieval bestseller in twentyone essays written by international scholars The scholarship in this volume helps instill Books of Hours with new life and give them new meaning at a moment when interest in Books of Hours is on the rise

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Book Illumination in the Middle

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Written by a worldrenowned authority on the subject this lavishly illustrated introduction to book illuminationone of the most significant art forms of the Middle Agesis a unique account of facts and ideas gathered during a lifetime of teaching and research

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Book Illumination in the Middle

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Based on lectures given at the University of Vienna this book examines all types of book decoration and illumination between late Antiquity and the Renaissance from the point of view of format and style Pacht explains the basic vocabulary and concepts by which this artform is to be understood and offers insights into the philosophy theology technology and culture underlying its history His subjects include pictorial decoration in the organic structure of the book the initial bible illustration didactic miniatures illustration of the apocalypse illustration of the psalter the conflict of surface and space Now available in paperback

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Early Engravers and their Public

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This book is about the production and reception of engravings and metalcuts in the RhineMaas region during the second half of the fifteenth century The Master of the Berlin Passion played a pivotal role in the printmaking industry of the Lower Rhine during this period He together with the engravers working in his ambit specifically targeted their prints at the growing market for illustrated devotional manuscripts doing so to an extent unparalleled by engravers elsewhere in Europe As a result experimental hybrid books combining manuscript and engraving were a phenomenon that flourished particularly in the RhineMaas region during the fifteenth century In the first part the author deals with the production of engravings and metalcuts for the manuscript market concentrating specifically on the Master of the Berlin Passion and the engravers and metalcutters in his circle Fresh evidence is considered for their dates localization and identities thereby providing the first major reexamination of these printmakers since the 1910s

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studies medieval and renaissance




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